Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior

Main Article Content

Issue Vol. 4 No. 1 (2021)
Published Jan 29, 2021
Section Articles
Article downloads 641
DOI: https://doi.org/10.7454/in.v4i1.87
Submitted : Apr 1, 2020 | Accepted : Nov 7, 2020


Abstract

This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.

Keywords: inscription, immaterial interior, temporality, palimpsest

Article Details

How to Cite
Wahid, A. R., Paramita, K. D., & Yatmo, Y. A. (2021). Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior. Interiority, 4(1), 43–62. https://doi.org/10.7454/in.v4i1.87
Author Biographies

Arif Rahman Wahid, Universitas Indonesia

Arif Rahman Wahid is a lecturer and researcher at the Department of Architecture, Universitas Indonesia. After graduating with a bachelor degree in Interior Architecture from the same department, he pursued his master degree in the MA Narrative Environments at Central Saint Martins, University of the Arts London and graduated in 2016. His practice focuses on how a story and its representation unfolded in space and time. Arif’s interests in everyday architecture, graphic, and narrative drive him to community engagements, exhibitions, and temporary architectural projects while integrating various media in the space.

Kristanti Dewi Paramita, Universitas Indonesia

Kristanti Dewi Paramita has taught architecture at Universitas Indonesia since 2010 before being appointed full-time lecturer in 2012. She completed her MA and PhD by Design in School of Architecture at University of Sheffield, UK. Her current research takes particular interest in situated knowledge produced by spatial and material practice, understanding how such knowledge shapes architectural design methods. She has worked extensively in action research projects and educational environment design, developing the design models and constructing them together with a variety of stakeholders from disaster-impacted communities, autistic children, local kampung dwellers, to public school institutions.

Yandi Andri Yatmo, Universitas Indonesia

Yandi Andri Yatmo is a professor of architecture at Universitas Indonesia. His current works are primarily on design theories and methods and their relevance to design practice. He is particularly interested in developing research-based design as well as various design approaches that are rooted in society's everyday life and community participation. Yandi was awarded Kenneth H. Murta Prize in Architecture from the University of Sheffield in 2001, Holcim Award Asia Pacific in 2011, FuturArc Green Leadership Award 2019, National Lecturer Award in 2012, IAI Jakarta Award in 2012 and a number of design competition prizes at national and international levels.

References

Abbott, H. P. (2002). The Cambridge introduction to narrative. Cambridge University Press.

Alonso, A. (1998). Urban graffiti on the city landscape [Paper presentation]. Western Geography Graduate Conference, San Diego State University. https://www.asu.edu/courses/aph294/total-readings/alonso -- urbangraffiti.pdf

Atmodiwirjo, P., Johanes, M., Saginatari, D. P., & Yatmo, Y. A. (2018). Ecological aspects of the traditional brick making process in Pedurungan Kidul, Central Java. E3S Web of Conferences, 67, 04034. https://doi.org/10.1051/e3sconf/20186704034

Atmodiwirjo, P., Johanes, M., & Yatmo, Y. A. (2019). Mapping stories: Representing urban everyday narratives and operations. Urban Design International, 24, 225–240. https://doi.org/10.1057/s41289-019-00100-x

Barab, S. A., Sadler, T. D., Heiselt, C., Hickey, D., & Zuiker, S. (2007). Relating narrative, inquiry, and inscriptions: Supporting consequential play. Journal of Science Education and Technology, 16(1), 59–82. https://doi.org/10.1007/s10956- 006-9033-3

Brockmeier, J. (2002). Remembering and forgetting: Narrative as cultural memory. Culture & Psychology, 8(1), 15–43. https://doi.org/10.1177/1354067X0281002

Brooker, G., & Stone, S. (2018). Elements: Objects. AVA Publishing.

Butin, R. F. (1928). The Serâbît inscriptions: II. The decipherment and significance of the inscriptions. Harvard Theological Review, 21(1), 9–67. https://doi.org/10.1017/S0017816000021167

Canter, D. V. (1977). The psychology of place. St. Martin’s Press. Emmons, P., Feuerstein, M., Dayer, C., & Phinney, L. (Eds.). (2017).

Confabulations: Storytelling in architecture. Routledge.

Handa, R. (2015). Allure of the incomplete, imperfect, and impermanent: Designing and appreciating architecture as nature. Taylor & Francis Group.

Harris, S., & Berke, D. (Eds.). (1997). Architecture of the everyday. Princeton Architectural Press.

Hollis, E. (2010). The house of life and the memory palace: Some thoughts on the historiography of interiors. Interiors, 1(1), 105–117. https://doi.org/10.2752/204191210791602267

Ingold, T. (2011). The perception of the environment: Essays on livelihood, dwelling and skill. Taylor & Francis Group.

Inscribe. (2010). In A. Stevenson (Ed.), Oxford Dictionary of English (3rd ed.). Oxford University Press.

Inscription. (2010). In A. Stevenson (Ed.), Oxford Dictionary of English (3rd ed.). Oxford University Press.

Jacobus, F. (2018). Toward the immaterial interior. In G. Marinic (Ed.), The interior architecture theory reader (pp. 224–233). Routledge.

Latour, B. (2003). Science in action: How to follow scientists and engineers through society. Harvard University Press.

Machado, R. (1976). Old buildings as palimpsest. Progressive Architecture, 11, 46–49.

Madanipour, A. (1996). Design of urban space: An inquiry into a socio- spatial process (1st ed.). Wiley.

Malpas, J. (2010). Truth, narrative, and the materiality of memory: An externalist approach in the philosophy of history. Journal of the Philosophy of History, 4(3), 328–353. https://doi.org/10.1163/187226310X536204

Malpas, J. (2012). Building memory. Interstices: Journal of Architecture and Related Arts, Interstices 13, 11–21. https://doi.org/10.24135/ijara.v0i0.433

Marinic, G. (2018). Internal disconnect: Material memory. In G. Marinic (Ed.), The interior architecture theory reader (pp. 263–273). Routledge.

Massey, A. (2018). Time travel: Interior architecture and the exhibition space. In G. Marinic (Ed.), The interior architecture theory reader (pp. 234–241). Routledge.

Massey, D. B. (2005). For space. SAGE.

Murray, T. (2008). Immaterial archives: New media and the memory of representation. Sites, 4(2), 277–296. https://doi.org/10.1080/10260210008456033

Odom, C. (2018). Productions: Spatial practices, processes, and effects. In G. Marinic (Ed.), The interior architecture theory reader (pp. 242-252). Routledge.

Paramita, K. D., & Schneider, T. (2018). Passage territories: Reframing living spaces in contested contexts. Interiority, 1(2), 113– 129. https://doi.org/10.7454/in.v1i2.34

Reilly, P. (2015). Palimpsests of immaterial assemblages taken out of context: Tracing Pompeians from the void into the digital. Norwegian Archaeological Review, 48(2), 89–104. https://doi.org/10.1080/00293652.2015.1086812

Rhiney, K., & Cruse, R. (2012). “Trench town rock”: Reggae music, landscape Inscription, and the making of place in Kingston, Jamaica. Urban Studies Research, 2012, 1–12. https://doi.org/10.1155/2012/585160

Roshko, T. (2018). Surface: Boundary conditions, spatial interactions, and occupying time. Interiors, 9(2), 207–231. https://doi.org/10.1080/20419112.2019.1580058

Roth, W.-M., & McGinn, M. K. (1998). Inscriptions: Toward a theory of representing as social practice. Review of Educational Research, 68(1), 35–59. https://doi.org/10.2307/1170689

Taghizade, A., & Ardekani, J. A. M. (2016). Analysis of the Inscriptions as advertising media in Persian architecture. International Journal of Applied Arts Studies (IJAPAS), 1(1), 7–21.

Warakanyaka, A. A. S., & Yatmo, Y. A. (2018). Tracing the progression of inhabitation through interior surface in Semarang Old Town. Interiority, 1(1), 64–78. https://doi.org/10.7454/in.v1i1.9

Zeisel, J. (2006). Inquiry by design: Environment/behavior/neuroscience in architecture, interiors, landscape, and planning (Rev. ed.). W.W. Norton & Company.

Zoran, G. (1984). Towards a theory of space in narrative. Poetics Today, 5(2), 309–335. https://doi.org/10.2307/1771935