The Emergence of Interior Architecture

Main Article Content

Issue Vol. 6 No. 2 (2023)
Published Jul 25, 2023
Section Articles
Article downloads 468
DOI: https://doi.org/10.7454/in.v6i2.308
Submitted : Mar 4, 2023 | Accepted : Jun 1, 2023


Abstract

Less than a century has passed since the creation or at least the use of the term interior architecture. Although interior architecture had existed before and was considered an inseparable part of architectural work, some developments and changes became the basis for the formation of interior architecture and, as a result, its appearance independently of architecture. The main impact of these developments in the independence of interior architecture can be traced to the 19th and 20th centuries when the field of two specialisations of the same family, interior decoration and interior design emerged. This article aims to take a step towards understanding what interior architecture is by understanding the origin or emergence of this speciality. Therefore, in this research, firstly, the background of the emergence of interior decoration and interior design is discussed, then why and how interior architecture appeared is investigated and analysed. The methodology of this research is interpretive-historical and the findings are expressed using graphical methods in the form of flow charts, timelines, and diagrams. In the conclusion of this research, a conceptual model is presented to explain the impact of the emergence of these three specialities on each other.

Keywords: interior decoration, interior design, interior architecture, emergence, formation

Article Details

How to Cite
Darbandi, M., Imani, N., & Rahimzadeh, M. (2023). The Emergence of Interior Architecture. Interiority, 6(2), 249–266. https://doi.org/10.7454/in.v6i2.308
Author Biographies

Maryam Darbandi, University of Art, Iran

Maryam Darbandi holds a PhD in Architecture with a thesis titled Theoretical Foundation of Interior Architecture from the University of Art in Tehran and a master’s degree in Interior Architecture from the University of Tehran. She is currently a lecturer at the University of Art, teaching courses in interior architecture. She is a researcher in the field of interior architecture, focusing on theoretical aspects such as the nature and identity of interior architecture and its relationship with neighbouring fields, as well as practical areas such as flexible house design and the influence of culture on interior architecture.

Nadieh Imani, University of Art, Iran

Nadieh Imani is an Associate Professor in the Department of Interior Architecture at the University of Art in Tehran. She holds a PhD in Architecture from the University of Tehran. Her teaching and research focus on the history of Iranian architecture, interior design, theories of architecture and interior, and research methodology.

Mohammadreza Rahimzadeh, University of Art, Iran

Mohammadreza Rahimzadeh is an Assistant Professor in the Department of Architecture at the University of Art in Tehran. He holds a PhD in Architecture from the University of Tehran with a thesis focused on the origins of architecture. His teaching and research revolve around theoretical and philosophical aspects of architecture and the history of Iranian architecture.

References

Aristotle. (1966). Metaphysics (H. G. Apostle, Trans.; 1st ed.). Indiana University Press. (Original work published ca. 384–322 B.C.E)

Attiwill, S. (2004). Towards an interior history. IDEA Journal, 5(1), 1–8. https://journal.idea-edu.com/index.php/home/article/view/215

Baxter, P. (1991). Thirty years of growth in the literature of interior design. Journal of Design History, 4(4), 241–250. http://dx.doi.org/10.1093/jdh/4.4.241 

Brooker, G., & Stone, S. (Eds.). (2007). From organisation to decoration: An interiors reader. Routledge.

Caan, S. (2011). Rethinking design and interiors: Human beings in the built environment. Laurence King Publishing. 

Clegg, S., & Mayfield, W. (1999). Gendered by design: How women’s place in design is still defined by gender. Design Issues, 15(3), 3–16. http://dx.doi.org/10.2307/1511881

Edwards, C. (2011). Interior design: A critical introduction. Berg Publishers.

Groat, L. N., & Wang, D. (2013). Architectural research methods (2nd ed.). Wiley.

Hay, F. (2007). Interior architecture. In J. Gigli, F. Hay, E. Hollis, A. Milligan, A. Milton & D. Plunkett (Eds.). Thinking inside the box: A reader in interiors for the 21st century (pp. 33–42). Middlesex University Press.

Hildebrandt, H. (2004). The gaps between interior design and architecture. Design Intelligence, 1–4.

Kaptan, B. B. (2014). Interior architecture and interior design: Two concepts, one profession. World Applied Sciences Journal, 32(9), 1935–1941. https://www.idosi.org/wasj/wasj32(9)14/25.pdf

Königk, R. (2010). Interior design as architecture’s ‘other’ [Master’s thesis, University of Pretoria]. UP Campus Repository. https://repository.up.ac.za/bitstream/handle/2263/26721/Complete.pdf?sequence=3

Königk, R. (2011). The embarrassment over decoration: Arguing against title change–The case of ‘interior design’: ‘interior architecture’. IDA Congress Education Conference. http://hdl.handle.net/2263/51729

Kurtich, J., & Eakin, G. (1993). Interior architecture. Van Nostrand Reinhold.

Leydecker, S. (2013). Designing interior architecture: Concept, typology, material, construction. Birkhäuser Basel. http://doi.org/10.1515/9783034615808

Loveday, T. (2003). Design, the decoration of culture? IDEA Journal, 4(1), 71–84. https://journal.idea-edu.com/index.php/home/article/view/235

Massey, A. (2020). Interior design since 1900 (world of art) (4th ed.). Thames & Hudson.

Rice, C. (2007a). For a concept of the domestic interior: Some historical and theoretical challenges. In J. Gigli, F. Hay, E. Hollis, A. Milligan, A. Milton & D. Plunkett (Eds.), Thinking inside the box: A reader in interiors for the 21st century (pp. 177–185). Middlesex University Press.

Rice, C. (2007b). The emergence of the interior: Architecture, modernity, domesticity. Routledge.

Sanders, J. (2002). Curtain wars: Architects, decorators, and the 20th-century domestic interior. Harvard Design Magazine, 16(S/S), 14–20. 

Wagner, R. (1995). Opera and drama (W. A. Ellis, Trans.). University of Nebraska Press. (Original work published 1900)

White, A. C. (2009). What’s in a name? Interior design and/or interior architecture: The discussion continues. Journal of Interior Design, 35(1), x–xviii. https://doi.org/10.1111/j.1939-1668.2009.01023.x 

Wild, P. (2019). Interior design identity as practiced (Publication No. 130739) [Doctoral dissertation, Queensland University of Technology]. QUT Campus Repository. http://doi.org/10.5204/thesis.eprints.130739

Williams, R. H. (1982). Dream worlds: Mass consumption in late nineteenth century France. University of California Press.

Wolfman, U. R. (2013, March 12). Richard Wagner’s concept of the ‘Gesamtkunstwerk.’ Interlude. https://interlude.hk/richard-wagners-concept-of-the-gesamtkunstwerk/